About Clare

clare mccaldin 2018

© Ben McKee Photography 2018

Clare McCaldin is a British mezzo-soprano noted for opera and song recital, and for producing striking lyric stage work with her own company, McCaldin Arts.

 

In demand as a soloist for all manner of music, Clare continues to perform the familiar music of Handel and Vivaldi, and from Mendelssohn, Mahler and Duruflé to modern and contemporary repertoire in concert. To date she has recorded two solo CDs for Champs Hill records. Her commitment to new music saw the formation of McCaldin Arts in 2013, which not only commissions and produces new vocal works but also fosters her own interest and facility in inter-disciplinary arts, including dance, by staging these works for the theatre.

 

In addition to her principal interest of singing, Clare also speaks about her work and talks to other artists about theirs. You can read about these interests via the Blog feed adjacent, listen to the Tales From Backstage podcast series and hear recordings or watch videos of Clare via these links or the menu above.

 

If you would like to get in touch with Clare then you’re welcome to use either social media or email via the Contact page.

News

A new Bohème

Dispensing with one of the best-loved and longest-lived productions in the history of the Royal Opera is a high-risk decision. Leaving it to your successor to deal with the fall-out could seem like extreme management cunning, but of course it’s basically a question of unfortunate timing. Given how far ahead plans have to be laid, […]

Hofesh Shechter’s Grand Finale

Hofesh Shechter is a choreographer whose work I have been meaning to see for years, but just not quite managing it. Last night I finally made it to a performance of Grand Finale, and I wish that I had seen his other shows in London, because I loved what I saw and want to have […]

Khovanschina at the Proms

Like his Boris Godunov, Mussorgsky’s Khovanshchina is based on a narrative from Russian history. It’s another story involving scheming boyars, monks, the Tsar and a love triangle sub-plot that borders on the ridiculous. At least the composer had Puskin’s text to work with for Boris, but he decided to write his own libretto for Khovanshchina, which does […]

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