Last night I sang at the Francis Crick Institute as part of an event to mark the second birthday of the Knowledge Quarter. This is an organisation that exists to focus and enable collaboration between the many knowledge-based organisations clustered in the geographical area around Kings Cross-St Pancras, including the British Library, the Wellcome Trust […]
Author Archive for: Clare
This author has yet to write their bio.Meanwhile lets just say that we are proud Clare contributed a whooping 329 entries.
Entries by Clare
Two new projects for 2017 are in development with McCaldin Arts: Mary is a monodrama for mezzo, trumpet, oboe and cello, by Martin Bussey with libretto by Andy Rashleigh (Vivienne). Queen Mary I is chiefly remembered as Bloody Mary but her personal story is more subtle and interesting than many of us realise, and her […]
Fascinating news today about John Hunter, husband of Haydn’s collaborator Anne Hunter, who worked with him on his two books of Canzonettas. John Hunter, physician to King George III, was a pioneering surgeon and his 200-year old diagnosis of osteosarcoma in a patient has recently been confirmed by modern technology.http://www.bbc.co.uk/news/health-38409086
I was so pleased to return to Worcester Cathedral on 10 December to perform the alto solos in Handel’s Messiah with the welcoming Worcester Festival Choral Society. The performance featured the Meridian Sinfonia orchestra playing period instruments, and my soloist colleagues Lucy Bowen, Nathan Vale and Quentin Hayes. Peter Nardone, Organist & Director of Music […]
My family lived in Lancaster when I was growing up: my father was Head of Music at Lancaster University, running a department which has alas since been closed. There was a lot of good music-making in the area, including by the Haffner Orchestra, which my father even conducted for a time. It therefore felt rather […]
In July I gave the first performance of the complete Artemisia, a song-cycle for voice and string trio by Paul Ayres. It sets poems by Sue Powell and tells the story of the life and art of Artemisia Gentileschi, one of the earliest women painters to establish a lasting reputation. The videos of the performance […]
Piano accompaniment is one of those skills which, the more brilliantly it is executed, the less one is aware of quite what is being done. The sense of exposure I generally feel when about to start a recital from memory is lessened by the knowledge that behind me there is an amazing person, apparently with […]
Last week we gave a presentation of early development work on The Ubiquitous Woman, a comic chamber opera commissioned by New Notes & Noises. After a week of workshops on the music and structure, we performed two sections of the piece. The opening few scenes introduce Sabine, her husband Tony, Sabine’s clone Judith and Theo […]
This week I was part of the world premiere of John Joubert’s Jane Eyre, his seventh opera. Charlotte Brontë’s story is tightly condensed into two acts, focussing on the relationship between Jane and Rochester, but giving prominence to the scene with St John Rivers, which Joubert considers the emotional turning-point of Jane’s journey. I had […]
I’m very pleased that I am finally able to announce the launch of a new charity I have set up to help support high-quality performances of new work and multi-disciplinary collaboration. New Notes & Noises will look to help support every step of the process of commissioning, developing, rehearsing and producing work in an exciting […]
Clare McCaldin was a passionate and inventive interpreter of these disparate texts (Hugh Wood’s “Beginnings”). Her dramatic punching-out of the word ‘fists’ at the end of the central setting contrasted well with her gorgeous dying fall in the concluding bars of the opening song and the ecstatic, sustained ‘Domine’ which brought the piece to an emotionally satisfying close.