Born in a Soho slum, Jessie Matthews rose to become a superstar of stage and screen throughout the 1930s, and was often described as “the English Ginger Rogers”. Elisabeth Schumann was a German opera and song specialist whose popularity with British audiences remained undimmed even after Germany and England had fought a war. Both women were hugely famous in their day, and […]
Author Archive for: Clare
This author has yet to write their bio.Meanwhile lets just say that we are proud Clare contributed a whooping 297 entries.
Entries by Clare
I’m delighted to have been invited to speak at the Future of Knowledge conference at the British Museum on Monday 12 February 2018. The conference is organised by the Knowledge Quarter to mark its third year of promoting productive partnerships, fruitful networks and creative interaction between its member organisations. I will talking about McCaldin Arts’ […]
Paul Turner’s impressive Swindon Recital Series has been running for over twenty years, and I was delighted to return to give a recital as part of the Complete season – a programming strand which has included Paul’s performance of the complete Chopin Nocturnes. Paul and I created a song programme around the idea of heroine […]
I’m delighted to have been elected to the Royal Society of Musicians. The RSM is Britain’s oldest music charity, established to provide immediate financial assistance to musicians unable to work due to accident, illness or old age. Here I am with my proposer and long-standing colleague, George Vass, following his confirmation as the organisation’s new Treasurer. […]
Last night Paul Turner and I gave the first performance of Over My Shoulder at the church in whose graveyard are buried Elisabeth Schumann and Jessie Matthews, the subjects of our entertainment. We were delighted to be joined by Elisabeth Schumann’s grandchildren, who grew up in England after their parents settled here after the Second […]
Having only become a singer relatively late in life, I didn’t work with organisations such as British Youth Opera, but I am always pleased to support colleagues who can still qualify as young(!). To this end I was at a recent performance of BYO’s Don Giovanni, applauding a friend’s immaculate (electronic) mandolin in the Serenade and his […]
I’m a fan of Sondheim. He writes in Finishing The Hat that his favourite of his own lyrics are those that are simplest and most direct; but, like many of his fans, I just can’t resist his virtuosic linguistic twists and turns, when he’s at his most showy. Even A Little Priest, the mountain of […]
Dispensing with one of the best-loved and longest-lived productions in the history of the Royal Opera is a high-risk decision. Leaving it to your successor to deal with the fall-out could seem like extreme management cunning, but of course it’s basically a question of unfortunate timing. Given how far ahead plans have to be laid, […]
Hofesh Shechter is a choreographer whose work I have been meaning to see for years, but just not quite managing it. Last night I finally made it to a performance of Grand Finale, and I wish that I had seen his other shows in London, because I loved what I saw and want to have […]
Like his Boris Godunov, Mussorgsky’s Khovanshchina is based on a narrative from Russian history. It’s another story involving scheming boyars, monks, the Tsar and a love triangle sub-plot that borders on the ridiculous. At least the composer had Puskin’s text to work with for Boris, but he decided to write his own libretto for Khovanshchina, which does […]
Clare McCaldin allies a strong, luxurious timbre and an incredible upper register that would be the envy of many dramatic sopranos with an accomplished actress’s sensitivity to both the sounds and the significance of words.